Sdoia-Satz Music Aptitude Test (SSMAT)
Detailed Explanation
-
-
-
-
-
Choice of Instrument –
-
This helps to avoid the
"My mommy made me
study piano and I
hated it' syndrome.
Many people, when
planning music
instruction, think
only of piano
lessons. While it is
true that piano is a
popular instrument,
there are many other
instruments,
equally demanding
and rewarding.
This part of the
test ensures that
the student chooses
an instrument that
"tunes them in and
turns them on"
emotionally,
musically and
intellectually. ♫
-
-
Style of Music –
Sdoia-Satz Music
Institute teaches
all styles of music:
pop, rock, jazz,
reggae, hip hop,
salsa, sacred,
gospel, R & B, and
classical, and has
"specialists" in
each style. It is
important that the
student learn the
style of music that
he/she enjoys and
wants to learn. ♫
People often come to
us with unrealistic
goals. They expect
to be Gloria Estefan,
Barbara Streisand,
or Wolfgang Mozart
in a couple of
months. It doesn't
work that way. It
takes a lot of time
and hard work to
learn to play an
instrument or sing.
Unfortunately,
students often stop
their lessons
prematurely because
they expect too
much, too soon, and
when they can't
accomplish what they
want as quickly as
they want, they give
up. ♫
-
Natural, untrained
musical aptitude -
We test the natural
sense of pitch and
rhythm, ability to
concentrate,
perseverance, and
intensity. For vocal
candidates, we
determine the voice
part, range, focus
and quality. Often,
parents ask, "Does
my child have
talent?" Talent is
not the same thing
as aptitude. Talent
is achievement vs.
time studied.
Aptitude refers to
'potential". The
SSMAT is designed to
determine raw
musical aptitude,
not talent.
♫
The candidate
reveals a lot about
his/her personality
during the
evaluation: fears,
hopes, ideas, and
feelings about
music. This helps us
select the teacher
best suited to the
needs of the
student. We try to
ensure success
through careful
bonding of teacher
and student. Even
expert teaching is
often ineffective if
the "chemistry"
between student and
teacher is not good.
Since we have over
50 instructors, the
opportunity for a
good match is
excellent. ♫
SSMI seeks to
determine the degree
of emotional
response to music in
each prospective
candidate. Music
performance is
self-expression and
a projection of
emotion. It makes
the audience "feel
something". People
who don't react much
to music (regardless
of the style), or
who don't like music
generally, don't
make good students.
♫
-
We give a short "mini
lesson" during the
evaluation -
Through the
mini-lesson, we find
out about the
strengths and
weaknesses of the
student. We discover
how the student
learns: his/her speed
of learning,
concentration
capability,
attention span,
perseverance and
frustration
threshold. The
mini-lesson
also demonstrates our
unique methods of
teaching. During it,
in three to five
minutes, the student
learns all the white
keys on the
keyboard. In another
three to five
minutes, they learn
either the lines or
spaces of the bass
or treble clef,
totally
automatically. In
another three to
five minutes, they
learn to play a
simple piece by
notes. It's one
thing to be told
about the way in
which we teach --
but another, to
experience it.
♫
-
Grade level and written
evaluation report –
The
applicant receives a
grade level
assessment and a
written report of
the results
immediately after
the test. Students
with significant
prior training will
be asked to play an
audition as well.
The audition
includes repertoire,
scales, arpeggios,
chords, theory,
sight-reading, ear
training and music
history. ♫
Phone: 305.754.3097 | Fax:
305.754.1543 | Email:
musicdoc@bellsouth.net
Copyright
2007
Sdoia-Satz Music
Institute. All Rights
Reserved. This material may not be
published, broadcast,
rewritten or redistributed.
|